Showing posts with label truth. Show all posts
Showing posts with label truth. Show all posts

Wednesday, August 15, 2018

Truth (preliminary note)

Truth

1) is a practice.
The Eternal Wisdom has truth a great crystal to which we might ascend. Science, pop science at least, has it something to be approached asymptotically, better with each generation.
Truth is not a construct but the work of constructing, on one side the increasing elegance of its logic, on the other how persuasively it describes the tohu va bohu of the world. The most fascinating practices do both.

2) as legal category
The oxymoron 'formal agreement' is therefore a contradiction: a dialogue (can dialogue ever be exhausted?) that 'ends' in a formal (and performative) statement (guilty/not guilty). Motive (soft) and occasion (hard), testimony (soft) and evidence (hard) assimilated into a single unambiguous verdict.
Query: can ambiguity ever be true? Are some occurrences truly ambiguous.

3) factish, truthiness, post-truth
2018: truth is not to be disdained, even if it means defending institutions we have always criticised (media, intelligence services, judiciary). Is common sense – which is so easily identifiable with ideology – in crisis, eradicating the common in favour of embattled tribes? Or do a) clichés and truisms b) embodied knowledge, habit, know-how and c) 'truths widely acknowledged' still have currency, as common, as commons.

4) hypothesis, proposition, surmise etcetera.
There are subjunctive modes of truth to place alongside ambiguity, the former a trajectory, the latter a condition, not far removed from confusion and proximates like controversy. (Distinguish an ill-formed question that cannot be answered unambiguously or uncontroversially from a well-formed one that is too difficult or whose answer is too complicated. We expect truth to be simple. Is it?)

Reservations: Mathematical (Badiou) and quantum (Barad) ontologies do not much deal in truth in senses 1,2 and 3: concepts of void, multiplicity, intra-action and topology - of the foam of being/becoming – are not crystalline, though persuasively descriptive.
Response: this (descriptive) ontology clashes with (elegant) administration to produce the historical (persuasion, work) as performance of truth in hypothesis testing, verdicts to be picked over.

First diagram on truths

and their contraries.


[annotation: 'Belief' here describes phenomena like pensée sauvage, theology, the hidden hand of the market, certain forms of environmentalism: - a systematisable certainty that x is the case which provides the axiom(s) for a cathedral of thinking. 'Evidence' might perhaps better be expressed as 'Testimony']

a) Truth is a practice and therefore requires media through which it can be practiced: instruments for capturing evidence, means of storing and ordering arguments and beliefs, modes of transmission, persuasion, establishing.
b) therefore truth has a history. As a practice, truth therefore has a media history. The first diagram allows for histories of modes of proof and typologies of data, for example.

Saturday, May 20, 2017

Logistics and behaviours

In the history of consumerism, the Keynesian response to the 1929 Crash built on the foundation of the nuclear family which became responsible for consuming the over-production caused ultimately by the falling rate of profit. Under the pressure of organising consumption, the this artifically limited kinship structure began to falter with the accelerating rise of divorce in the 1960s. In the wake of the family as core organisational structure (though like the extended family before it, it continues as substrate to the newer forms), the new core institution of consumerism became the individual, much as described in Wendy Brown's work on neoliberalism. Thirty or more years after the triumph of neoliberalism (Thatcherism, Reaganomics) the individual, like the nuclear family before it, is in crisis (see for example Bifo's work on mental illness as a symptom of capitalist crisis). Today a new institutional core to consumerism arises. It is no surprise to computer science or digital commerce analysts that the individual is now a residual concept like the nuclear and extended variants of the family. In consumption and production, the new key phenomenon is comprised of discrete behaviours, of the kind gathered and orchestrated in Facebook's Edge Rank.

Under these circumstances we are dealing less with a dissolved self and more with a ditributed self, spread out through prosthetic media and connected to technological and physical environments. Such a distributed self throws itself open to the characteristic organisation of distribution: logistics, specifically the contemporary form of logistics as biopolitical management.

The movement towards behaviours begins in the industrial revolution's shattering of work with the division of labour. This not only, per Marx, de-differentiates the specific forms of work; it shatters the worker, who from now on is only acquired as the performance of small tasks – proto-behaviours. The expansion from the phenomenological range of the factory-based division of labour in the C19th to the New International Division of Labour (NIDL) by the late 20th is in itself a fundamentally logistical operation, just as logistics is fundamentally premised on labour and its division. This division proceeds through partwork to cognitive labour and the database economy

As labour moves from the productive to service and thence to cognitive; as mode of production moves from productive to service to financialisation; so social organisation of consumption passes through three invented categories: nuclear family, individual, behaviour. Now not only production but produsage moves from self to the fragmented division of affective/cognitive work, now disassociated from the residual comunitarianism of family which, bereft of its extension to kinship groups, persists as the last exploitable element of social solidarity (as in “I save for, work for, vote for my family”)

The mode of rebellion moves in parallel: to liberate the family from the bonds of kin; the individual from bonds of family; and now the behaviour from the bonds of coherent self. The war against the Cartesian ego is won and lost – the schiz is not a liberatory project anymore. It has become (like the individual before it) the unit of oppression and exploitation. As nomad, rhizome and smooth space moved from celebratory utopianisms to journalistic accounts of corporate organisational paradigms in the 1980s, the schiz is no longer a much needed liberation from Cartesian ego and becomes a journalistic account of the psychological outcome of the intensified division of labour into cognitive labour. Schiz today marks the triumph of hyper-inidividualist affective prosumerism over the old identitarian politics. Identity today, viewed from the data base economy, is a behaviour – while its significance to its performer is immense, to its audience it is purely data, because its audience is no longer (only) human but EdgeRank.

The extraction of profit and rent is no longer grounded on user-generated content as intellectual property, but as logistical aggregation of behaviours. The internet of things, which includes the thingly status of behaviours in disciplined consumption, parallels the move from productive/cognitive via service/affective to finance/logistical sectors. My debt is also a promise to consume – in an orderly fashion. Communicative capital is thereby reduced from the compulsory labour of UGC (Dean) to the universal exchange of derivatives in the form of bundled (future) affective and cognitive labour plus future consumption. It is absolutely clear in this that the demands of the falling rate of profit far supersede any remnant of use-value, such as the production of social solidarity as a value of communicative action.

From this position on the move from tasks to behaviours embracing the work of both production and consumption, the next stage is to trace the logistical. NIDL (but even factory discipline) depends on the logistical management of materials and workers's reproduction of labour.

The moment of the orchestration of transoceanic maritime transport – with the construction of the Suez Canal as its most extravagant expression – and the linkage of rail and telegraph on transcontinental scales, is precisely the same moment that the world ceases to be a Westphalian contractual and conflictual – and therefore event-based and thus historical, temporal – diversity of localities and regions and begins to become both a system and a planet. It is the moment when nature appears as a definitive other to the factory-industrial-urban complex. This is why the parallel history of nature is so important – the specifics of exclusion, externalisation and environmentalisation in each phase: because that granular production of nature's otherness is what will have to provide the allies for any future solidarity with post-individual human behaviour. The fragmentation of work and the institution of the logistical inaugurate the contemporary at the heart of the modern, and form one process with the environmentalisation of nature

Logistics is the electronic mode of panpsychism (task to be articulated in a piece I'm currently writing)

This thesis requires two further stages:
1 - a more detailed media history of logistics, from double-entry to adding machine and thence to digital – or perhaps more explicitly distribution (telegraph- radio – net) and storage (unique, copiable, generated) media
2 - to discover what is the appropriate mode of politics for a post-individual, behavioural cloud.

Sunday, November 6, 2016

is truth virtuous?

the disinformation society
in which consciously manipulated statistics, invented figures and downright untruth circulate unchecked on a par with evidence.
- in the first instance, to establish a standard of truth adequate to public discourse, but rather more
- to investigate the terms of a polity in which the pretence to evidence-based policy is constantly undercut by the triumph of dogma over experience or evidence and the willingness to force constructed 'evidence' to serve argument rather than vice versa.
- and to consider whether truth in any of its manifestations still has a role in politics/the political - or whether the distinction rests, inter alia, on the status and mode of truth

such that if the management of public affairs is characterised by untruth and disinformation, information and truth belong to the unaccounted (what is left out of account, the part of no part) clamouring to govern itself. Truth as abandoned virtue of political life

positing the gulf between truth as voice and truth as representation, spoken on-behalf-of

therefore
is truth virtuous?
a historical question, administratively defunct but symbolic thus also an afterlife of truth
constructed - of necessity - not only cynically
so the question of the objective/subjective/perceptual/material moment of truth
[bad faith pervades professional life]
truth then as enjeu/gage, thus as untrue or LOCAL - truth as epiphany, exception

which is either a laudably modest ambition or a heinous abdication of political truth in order to secure a personal nirvana

Mediating (Not Defining) Truth

Working slowly towards the large project I hope to start towards the end of 2017, some posts tagged "political aesthetics"

There's no point trying to define truth, at least in this project - this is a work on aesthetics, and about how truth, however defined, is enacted in some particular kinds of mediation

but nonetheless the thing comes up


1. truth as a something-out-there which is true whether or not we can see and understand it (God, the arche-fossil, gravitational waves, Being . . . )
2.truth is produced by knowing it: a thing becomes true when we can state it
2.b truth is a quality of statements
2.c truth is produced by the method through which we approach it, ie the discourse that gives us ways to make well-formed statements that can be tested by the methods of that discourse (experiment, mathematics, statistics, logic etc)
3. truth is produced by actions, among which verbal actions are only one type. We (variously defined) make things true by enacting them. (this might ally with the proposal that truth is an agreement among a group to accept such-and-such a class of statements as true)

this doesn't give much to the proposition that there is a non-human truth, of the kinds argued for by eco-critique, that has physical etcetera effects on us, regardless of us knowing them; but such that once we do know them we are under an ethical obligation to act on that knowledge and that truth. This would also be true of those human-made truths we call situations or conjunctures - that there is something to be known about a state of affairs; that miscellaneous media forms have a claim not to produce them by stating them but to mediate them to humans (and vice versa)

Emphasising mediation removes the either/or – it permits both the formative (but not generative) power of media in mediations (eg measuring instruments, art) without thereby denying that there is a situation which can be mediated, while also preserving the corollary that mediation, as an action, is not free from the situation, and to that extent not only translates it for an other elsewhere and in another time, but acts in the situation by mediating it. (not merely quantum phenomenon)

the cost of the claim to truth, or at least of realism, is that the mediation alters what it observes; this alteration is the truth (the alteration of both the medium and the worlds it mediates between). The 4-part distinction of truth in the project plan makes sense then by asking what aspects of truth we learn from mediations attempting to be true to the object, to the medium, to perception and to the subject of truth, which in our epoch sees itself as a generator of truth, quite as much as a receiver (Kandinsky and Trump have that - and other things - in common)

(started by Ian Hacker's note on C.S. Peirce and his struggles with the idea of truth, p.212 of The Taming of Chance)

Sunday, September 27, 2015

formal abstraction


"Piet Mondriaan, 1930 - Mondrian Composition II in Red, Blue, and Yellow" by Piet Mondrian - [1]. Licensed under Public Domain via Commons - Wikipedia

at the very beginning of a new project on political aesthetics that at the moment concerns Truth, Beauty and the Good, with first steps into truth being made at seminars in Paris (INHA) and Oslo (Seminar of Aesthetics) trying out distinctions between truth to perception, to objects and to materials, the idea came along of

a further truth to feeling which might include (as it did for Kandinsky and Mondriaan as founders) truth to the Spirit as supra-personal subject of the cosmos. Abstraction abstracts from the perceptible its constituent elements – colour and form – in pursuit of an expression of truth pertaining to a human or super-human subject. Abstraction requires a subject to feel it. In one direction it tends towards truth to materials (Greenberg); in another it leads directly to the next part of the enquiry, beauty (where it will meet the concept from data visualisation of 'beautiful data')

Abstraction as formalism seems the least intimate, approximating to classicism (Apollonian). But consider the abstractions of spiritual arts - cathedrals, masks, groves, mosques. The anthropomorphic principle in natural religion meets the inhuman nature of gods, as of the one God as supreme abstraction. By removing the diligent approach to the extremely perceptible and enumerable world, abstract formalism can approach the noumenal, but in the guise of a subject who either is, is modelled on, or is marked by difference from the human.

The formal abstraction is close to the idea of symbol traced in the first iteration of Glitch as Labour: it is not a signifier locked into a system but a radical punctuation of semiotic structure by irruption from elsewhere (and in Beauty from else-when). Like a soul-catcher, formal abstraction arranges physical forces (masses, light) to attract divinity or other souls, to provide avenues to the noumenal beyond.

Truth to subject then because (1) it seeks out the truly immaterial (soul, self) (god, spirit) as a subject, capable of agency sufficient to complete the communication - an angelic bridge between subjects and the worlds they constitute as subjects; and (2) because the subjectivity evoked in the human maker and spectator/inhabitant is constructed in yearning for something more wonderful than all this stuff. Not therefore to be confused with the truth of science or perception (secular wonder) but of subjectivity extended to become the very principle of simultaneous inhabitance of this world and its (perfect) shadow or reflection

The form abstracted from ordinary perception is the form of the human, of the subject: and of the inhuman or otherwise-than-human, of the Subject.

Montage would fall under this description of formalist abstraction because it displaces unity into the perceiving subject on which it depends